The interchangeable microphone module port on the H5 lets you to attach other kinds of mics and inputs, such as the separately available SGH-6 shotgun capsule, and the EXH6 module, which adds two additional XLR inputs. In addition to providing better sounding stereo mic performance, the slightly-higher price of the H5 gets you additional capabilities that are not available on the H4n or DR-40. □Click or tap on the images on this site to make them largerĪmong the three recorders in this test, the Zoom H5 stands out price-wise, because it costs over $50 more than the other two. I performed the line-level test because I was curious if I could hear any difference, and it proved to be interesting. I chose the two Rode shotguns because they’re both popular choices for video production. I chose the Audio-Technica AT4053b because it’s one of the best “budget” microphones to use on a boompole when recording dialog indoors. You will hear a test of their stereo mics, a test using an Audio-Technica AT4053b hypercardioid microphone, you will hear how they handle external shotgun microphones (the Rode NTG-3 and NTG-2), and finally, you will hear how they each handle a line-level signal from a Sound Devices 302 field mixer. I put together the following video so you could hear how the H5, H4n and DR-40 preform in a side-by-side shootout. This last differentiator is the reason I created this post. In addition to how you feel about the layout of their various controls, and the overall vibe of each recorder’s design, it’s important to determine which model sounds best to your ears. All three feature good sounding stereo microphones, dual XLR inputs for external microphones and signals, and, most importantly, entry-level price tags. When you’re looking for a budget-friendly yet capable audio recorder, three models will likely show up on your radar: the Zoom H4n, the Tascam DR-40, and the Zoom H5.
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