Similar to the cost of an in-home studio, the amount a voice actor can earn varies greatly as well. Salaries vary greatly for audiobook narrators "I've been doing this for how many years, and I always rely on the experts." "I say spend the $100 that it would take to get an editor to FaceTime with you," Huber said. Getting an editor to check your computer, your mic placement, and your levels annually is also a wise investment. "It comes from Spain, and it's sexy and it's beautiful," Huber, who estimates the cost at approximately $10,000, said. You need a proper microphone that creates a digital signal to get into your computer, and there's tons of editing software that's free."įor narrators seeking a top-of-the-line experience, the booth du jour is by StudioBricks. "I would not recommend using a USB mic," she said. If you're in the city or in a noisy urban area, then that's a different story."īut equipment, including a computer, an interface, and a decent microphone, can be found for under $1,000, Huber added. "So a well-treated closet in a quiet area is great. "You can't just walk into a closet and record, because sound waves will bounce off the walls and you get this echoey, hollow sound," she said. Plenty of people, especially those in quiet, rural areas, make do by transforming a walk-in closet, but Huber said there were two things you have to deal with: keeping sound out and treating the sound within. "After five or six hours you're like: 'Whoa, I don't even know what I'm saying anymore,''' Huber said. Instead, it's the focus required to keep characters' voices straight and execute tongue-twister sentences flawlessly. Additionally, she does vocal exercises.īy the third day on a project, Huber said, her voice is at its peak, but her voice isn't her biggest concern. To keep her vocal cords in the best shape before recording, she said, she avoids alcohol, as it's dehydrating, along with loud restaurants that would force her to shout to have a conversation. She divides her time between California and New York and spends most of her working hours in a 4-foot-by-4-foot recording booth. I want to know who the bad guy is so that I can highlight the red herring." "But more importantly, you need to know how to wind the story. "That's why you need to read the entire book," she said. Huber needed to go back and rerecord to give the character the proper British accent. I'm just going to start.' I got to 80%, right past where I'd read to, and they mentioned one of the characters grew up in London." "I narrated a book and I read about three-quarters of it, and then I was like: 'You know, I'm good. Huber added that she learned the hard way that there are no shortcuts. A recent survey conducted by the not-for-profit Audio Publishers Association and InterQ found that audiobook revenue swelled to $1.6 billion in 2021, which represents a 25% annual increase and marks the 10th consecutive year of double-digit growth. Over the past decade, audiobook sales have surged. I need to do something that I can do forever.'" Though Huber said she had a "pretty great run for a while" as a voiceover actor, she recalled seeing older women at commercial auditions and watching their opportunities evaporate: "I thought: 'I've got to pivot. You should do voiceovers,' and I thought, 'That sounds fun,'" Huber told Insider. "When I moved to LA, my husband was in advertising, and I'd be around all these people who'd say, 'Wow, listen to your voice. Her catalog of almost 700 titles spans genres and includes beloved books such as Annabel Monaghan's "Nora Goes Off Script," Margaret Atwood's "My Evil Mother," and Elena Ferrante's "My Brilliant Friend."īefore bringing novels and nonfiction narratives to life, Huber spent a decade doing commercial voiceover work. You may not know Hillary Huber's name, but if you're an audiobook fan, chances are you'd recognize her voice. Account icon An icon in the shape of a person's head and shoulders.
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